[Beth McDonald] earned MVP stripes with meaty tone, clean articulation and all-around command of the unwieldy ax, at one point pumping low notes worthy of Bernard Herrmann’s score to Journey to the Center of the Earth.
— Downbeat Magazine, covering of Catalytic Sound Fest 2022

Beth McDonald is a classically trained tuba player gone awry. She performs mostly as an improviser, using the tuba acoustically or in conjunction with electronic processing.

Her current musical projects include:

  • Edition Redux - Ken Vandermark (reeds), Lily Finnegan (drums), Erez Dessel (keys)

  • Three Grebes - Franki Hand (voice, guitar, accordion, violin, etc.), Ike Turner (guitar, drums, percussion, etc.)

  • Where Were We - Erez Dessel (keys), Tyler Damon (drums)

  • Duck Brain Ragtime Band - led by Ethan T. Parcell

Beth enjoys collaborating on cross-disciplinary performance projects, and has collaborated in works by Becky Grajeda, Nathanael Lee Jones, Sasha de Koninick, and Mark Booth.

Previous projects include No Trust, the Lindenbomber Fleet, Boston Modern Brass.

Duck Brain Ragtime Band, about which one might say, “There’s even a TUBA in the band!” or “WOW”

Duck Brain Ragtime Band, about which one might say, “There’s even a TUBA in the band!” or “WOW”

No Trust bewildering and enraging onlookers in Kalamazoo, MI.

No Trust bewildering and enraging onlookers in Kalamazoo, MI.

Her solo albums are all available on Bandcamp. See her other recordings & albums here.

From 2011 through 2014, Beth was the Artistic Director of the August Noise JP, where she worked to bring unexpected music to public spaces and to engage her fellow musicians in their community. During this time, Beth also performed with Sound Icon, Discovery Ensemble, and the Brian Friedland Big Band.

Beth holds degrees from the University of Kentucky, New England Conservatory of Music, and Northeastern Illinois University. She has worked under the guidance of John Mallia (electronics), Stephen Drury (contemporary classical music), Tanya Kalmanovitch (improvisation), Ted Reichman (improvisation), Skip Gray (tuba), John Cradler (tuba), and John Heiss (chamber music).


Musical equipment for the nerds:

  • Tuba: Meinl Weston 45 SLZ (F tuba) with a PT-65-S mouthpiece

  • Pedals: (alphabetical order)

    • Boss Digital Delay DD-6

    • Chase Bliss Generation Loss MKII (modeller)

    • Digitech Luxe (polyphonic detune/chorus)

    • Ditto X2 Looper

    • Dusky Hypatia (fuzz)

    • Earthquaker Devices Bit Commander (bit crusher)

    • Earthquaker Devices Cloven Hoof (fuzz)

    • EHX Freeze (sustain)

    • EHX Holy Grail mini (reverb)

    • Montreal Assembly Count to 5 (delay/looper/weird)

    • MXR Bass Fuzz Deluze

    • Red Panda Particle v2 (granular delay)

    • Saturnworks Momentary Kill Switches

    • I use (and highly recommend) Rattlesnake cables

  • Software/Hardware:

    • Max/MSP (music visual programming language)

    • Reaper (DAW)

    • SPEAR (spectral analysis/resynthesis)

    • Focusrite 6i6 v1 (audio interface)

    • Korg nanoKontrol2 (USB controller)

    • misc other things